25. 4. 2017
Adding to Resolve 14
a. File / project settings / Color Management / Open LUT Folderb. drop them to some of the allready existed folders (like sony)
35 Movie-inspired LUTs - Joker, 1917, Avengers Endgame, The Lighthouse, IT 2, John Wick 3, 6 Underground, Once Upon a Time in Hollywood, Knives Out, Shazam!, Us, and many more! Alexa, REDLog, Blackmagic, Canon C-Log, V-Log L, S-Log2, S-Log3, Standard LOG and.rec709 versions of each LUT. This pack contains LUTs as.CUBE and.3DL files (size 33x33x33), and a quick PDF guide. Also is included tints LUTs to give a color atmosphere without affecting other color settings. In total there are more than 990 LUTs in the pack (standard, LOG, V-Log, tints, gels and utility LUTs).
man
http://documents.blackmagicdesign.com/DaVinciResolve/20170424-d01b5c/DaVinci_Resolve_14_Reference_Manual.pdf
7d c-log?
http://www.chungdha.nl/?s=c-log
http://philipbloom.net/blog/clog/
https://www.youtube.com/watch?v=RmCRhTedXpM
creating your own
just photoshop
https://www.youtube.com/watch?v=BmDy5-RdMng
with lut buddy
https://www.youtube.com/watch?v=o250fownOvE
stuff
bunch of luts and generator and 4k film grain (also deluts, including s-log2)
https://luts.iwltbap.com/ (8700, Aspen, Sedona and Arapaho seems all very nice.)
MPV player
a.IRC it can use ffmpeg filters?
S Log 2 Luts
And combine this with
say your 3DLUT transforms it from S-Log/S-Gamut to BT.709/BT.1886; then you’d have to use
Example that actually does something (if I add –vf=format.. everything looks default…)
b. Convert .cube deLUT to icc profile using OpenColorIO tools?
http://opencolorio.org/userguide/baking_luts.html#icc-profiles-photoshop
http://opencolorio.org/userguide/index.html
and use
In Debian Stretch this tools are actually in repos
Adobe Cube LUT Specification
S-log 2 Luts Sony A7sii
Calibration vs. Technical vs. Creative Look LUTs
Calibration LUTs are used to ‘correct’ display inaccuracies, ensuring any images shown on the calibrated display as accurate as possible - allowing for the underlying capabilities and/or limitations of the display. These are the most important LUTs as their generation has to be performed with very high levels of accuracy, or all images sheen on the ‘calibrated’ display will be incorrect, causing the inaccuracy to ripple back down the workflow chain.
Technical LUTs are used to convert between different ‘standards’, such as from one colour space to another, which should make the LUTs simple to generate accurately.
Creative LUTs are often referred to as ‘Look LUTs’ as they are often used to set a look by a DoP on-set during filming, as well as to endow images with a specific look emulation, such as specific traditional film stocks.